It has also been used by composers such as Julio Estrada, ( Eua´on (1980)), Jean-Claude Risset (on Saxatile (1992)), Jorge Antunes ( Interlude de l'opéra Olga (1992)), François-Bernard Mâche ( Hypérion (1981), Nocturne (1981), Tithon (1989), Moires (1994), Canopée (2003)), Takehito Shimazu ( Illusions in Desolate Fields (1994)), Gérard Pape ( Le Fleuve du Désir III (1994)), and Curtis Roads ( Purity (1994) and Sonal Atoms (1998)). Xenakis used it on his subsequent piece Mycènes Alpha (1978) and two other works. It was developed at the Centre d'Etudes de Mathématique et Automatique Musicales ( CEMAMu) in Paris, and was completed in 1977. UPIC (Unité Polyagogique Informatique CEMAMu) is a computerised musical composition tool, devised by the composer Iannis Xenakis. The users should exercise due caution and/or seek independent advice before they make any decision or take any action on the basis of such information or other contents.For other uses, see UPIC (disambiguation). shall not be liable in any manner (whether in law, contract, tort, by negligence, products liability or otherwise) for any losses, injury or damage (whether direct or indirect, special, incidental or consequential) suffered by such person as a result of anyone applying the information (or any other contents) in these articles or making any investment decision on the basis of such information (or any such contents), or otherwise. No warranties, guarantees, promises and/or representations of any kind, express or implied, are given as to (a) the nature, standard, quality, reliability, accuracy or otherwise of the information and views provided in (and other contents of) the articles or (b) the suitability, applicability or otherwise of such information, views, or other contents for any person’s circumstances. Nothing contained in the articles should be construed as business, legal, tax, accounting, investment or other advice or as an advertisement or promotion of any project or developer or locality. All views and/or recommendations are those of the concerned author personally and made purely for information purposes. These articles, the information therein and their other contents are for information purposes only. However, this is not true of other major municipalities in India. Many properties in Delhi are yet to have a property identification number. This way, they can compare economic qualities of assets faster than they can manually do. By networking them using a formal system, it allows people to trade in them without examining them physically. Every residential unit is different from other in many different ways.We may see similar transactions in real estate in Delhi. This is true of trading in the stock market, too. In commodity exchanges in the US, people can trade cattle, based on representation to rights on cattle without physically examining them. Such a system, for instance, allows people to move assets from one hand to another without engaging in too many transactions. A formal property system would allow a property in Delhi to serve as capital.In many countries, even private players maintain such records. If maintained, such records would help property owners about factors that may diminish or enhance a property's value. Such details are tracked and updated on a regular basis. A unique property identification code is generally linked to building dimensions and other specifications of a property.PropGuide tells you why a unique identity code is important for the city.
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