“It’s an opportunity to give a stage to some voices that people haven’t heard. “There’s a song in there by Joey Stylez and one from a band called Blackkiss - Pete Sands - and they’re both really, really gifted Native American artists,” Sheridan said. With the fallout from Lee’s murder, tensions between their respective families and communities are a vital part of “Yellowstone.” Along with that element of the show, Sheridan wanted to make sure that the music of the series also reflected its diverse perspectives. The relationship between Thomas Rainwater (Gil Birmingham) and John Dutton (Kevin Costner) will come to be one of the centerpieces of the show going forward. There’s a certain chaos to it that’s really exciting as a filmmaker because you just don’t know what’s going to happen next.” So you have to shoot the scene and then you have to make a documentary about whatever the animal is going to do and let them do what they want to do,” Sheridan said. “Horses don’t hit marks and neither do bucking bulls. This will not be the only “Yellowstone” episode with some pivotal non-human characters, a storytelling choice that always presents its own unique challenge. One of those tropes is featuring extensive sequences with animals, including the many sequences on horseback and the stallion scenes in the premiere. It’s a delicate balance to try and walk and hopefully, we achieved it.” “How can I do that and yet not feel reductive, still feel there’s real consequences within this world? So it was a challenge. “I was making a modern-day Western, but I also wanted it to feel like a true Western where you have all the tropes that we’re used to - the shootouts on Main Street, etc.,” Sheridan said. Gil Birmingham, Cole Hauser, Kevin Costner, and Wes Bentley in “Yellowstone” Paramount Network Sheridan says he wanted to embrace some of the distinct elements of Westerns, while adapting the genre to this new framework. That looming sense of death is part of a genre tradition that “Yellowstone” now enters. That’s how I approached it, with the intention of creating a world that felt complete but also made you wonder like, ‘What in the world’s going to happen next?!'” “The hope was that you lay out this world and you think of the first episode almost like a prologue. Not to say that no one’s safe but that it’s as real a world as you can imagine,” Sheridan said. “You want to do things that let an audience feel like you can’t pinpoint the consequences. Looking for a way to subvert audiences’ expectations, Sheridan wanted to frame the show’s opening around acquainting viewers with these characters, all while establishing the possibility that any of them could go anywhere once it ended. Read More: The 10 Best TV Series of 2018, So FarĪlong with the heavy lifting of introducing an entire family, this premiere episode closes with a surprising development: the murder of Lee Dutton (Dave Annable). “I wanted to find a way to show the beauty and the violence and the connection and the visceral realities of moving out west, and I wanted to put it in a very concise moment and I felt that that encapsulated all those.” Cows Don’t Do Retakes - Why ‘1923’ Uses 5 Cameras
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